Showing posts with label Tablesetting. Show all posts
Showing posts with label Tablesetting. Show all posts

Thursday, October 8, 2009

Etiquette Challenge Workshop: Observing Kosher



Further to last week's challenge, EM wrote in response to my thoughts:

I am Jewish and keep kosher, so I already have one set of meat AND milk dishes. As deserts usually involve milk, I keep a completely different set of dishes for the desert (and must clean up the entire kitchen before serving it!) However, because I love china, I was pondering just buying the dinner plate for formal meat dinners, and using either glass dishes or the regular meat dishes if I needed extra for a meal. Obviously, some color coordination would
be helpful in this instance.


- EM



One of my oldest and dearest friend's childhood home was graced with a soaring kitchen that fascinated me. Two of everything: Sub-zero's, ovens, microwaves, dish closets, and pantry's, all for the respectful observance of kosher dining.

Believe me when I say, I had to bone up to find a helpful answer to this query, and I hope you will join me in making a suggestion for EM (she was among my first five Followers and remains very close to my heart for her allegiance to this blog).

If you have an etiquette challenge question with which we can help, please email it to catherine@blushinghostess.com.


Reminder: Enter the finestationery.com Blushing giveaway here.

Photos: boston.com, Cooking Light

Saturday, September 26, 2009

Table style: Rock the Casbah


The alluring table setting of the Emmy's Governor's Ball, September 20, 2009 by Sequoia Productions.

Take me to the Casbah on any scale, is always my policy.

Dress it up.

Jean Louis Coquet Hemisphere Matte Gold, Gumps


Moroccan tea glasses


Horchow

Even the buffet.


Horchow

Pare it down, maybe.


Tangiers, attractive on a bare tabletop

But always serve Blushing's Moroccan Chicken.

Wednesday, September 2, 2009

Hunt Breakfast on a Kentucky Plantation

Women never look so well as when one comes in wet and dirty from hunting.
-Mr. Sponges Sporting Tour (1853)



We are horsey types, this family, consequently this hunt table design has long been one of my favorites. The hunt breakfasts I have attended have been much larger affairs, not suited to this level of detail, unfortunately.

The room may no longer thrill, it is a tad dated now to be sure but the details of the table are both savvy and clever. The centerpiece of a hunt trophy accented with snaffles and stirrups at the base is fabulous and the antique reproduction pistol-handled knives such a showman's touch on the hunt theme. Not to mention individual decanters and the obligatory but reassuring mint juleps on the sideboard which speak to the Kentucky home of this old dining room.

The hunt is timeless in my hometown: There are, from the top of my head, three very fine family dining rooms in North Salem which have modernized the hunt lifestyle in their rooms but never cast it aside. And then there are those, like these, that sort of hung on, let it be as it was, and as it will always be. It is, as they say, in one's blood. Both cultured sorts warm this heart.

Credit: Valerian S. Rybar for the Tiffany Decorator Show and Tiffany Table Settings, 1960



Now, I have always been partial to the tradition observed before the hunt: Sherry or port in the traditional stirrup cup helps to ward off the cold and is a toast to luck and good hunting. The cup is meant to be held in a riders gloved hand with a carved animal, traditionally that which is hunted, at the base. The carving steadies the cup in the rider's hand if their horse is spooky. All comers are invited to participate in the pre-hunt steadying.



There is always some discord as to whether it helps to ease the pain of a fall or cause one in the first place. We regularly have this same conversation in the jumper rings but many have concluded approaching a five foot jump is no place to find out you had one too many.





Staying hydrated is key to the sport. In planning your hunt and breakfast, be certain there are plenty of liquids. Ah-hem.

It can be a vigorous, weather-beaten ride. One should plan the food accordingly.
Here is a fabulous menu suggestion:


Menu
Hunt Breakfast Buffet for 100

Fluffy Scrambled Eggs with Chives

Home Fried Potatoes

Baked Brown Sugar and Dijon Glazed Ham

Savory Crepes of Chicken and Mushroom

Sliced Local Tomatoes with Fresh Mozzarella

Baskets of Bagels and Fruited Focaccia
Whipped Vegetable Cream Cheese and Sweet Cream Butter
Strawberry Preserves

House-baked Muffins, Coffee Cake, Zucchini and Banana Breads

Yogurt and Granola

Platters of Sliced Fruits and Berries with Honey Lime Crème Fraiche

Country Cookies

Assorted Fruit Juices
Freshly Brewed Regular and Decaffeinated Coffee, Assorted Teas


Champagne
Bloody Mary



As for the flowers, this is no time for a precious arrangement. Fox hunters, in my experience, do not go in for tiny color coordinated French bouquets, but rather rambling representations of the fields where they have experienced the most cherished moments of their sporting lives. Sterling is also a central facet to the hunt tradition and celebration historically, so use it freely and respectfully: Kindly do not place flower arrangements in the trophies and so on. I have noticed arrangements of this caliber in the past, and they are lovely in the theme:





Photos: marthastewart.com

While I have not been to a hunt breakfast small enough to be served at a table the masterful likes of the Tiffany room at the top of the page, I do believe it is an occasion befitting that care, beauty, and a show-stopping menu. I hope you get the chance to ride, to partake, or better yet, to host. And keep in mind, it very long ago ceased to be about hunting in most hunt clubs; the sport remains the ride.

Thursday, July 23, 2009

Nan Kempner's TV Dinner



It seems a modern scene and setting, the TV Dinner as re-imagined by Mrs. Thomas Kempner (nee Nan Kempner) for Tiffany & Co. in 1980.

"Here New York style-setter Nan Kempner gives a Sony KP-5000 projection TV a place of high prominence in this setting for a quiet dinner while awaiting guests invited for a glass of champagne.

Although the assertive TV demands and gets attention, Mrs. Kempner retakes possession of the space with overscsaled objects and furniture.
"




"Her TV tray set with a "Flora Danica" plate, "Shell and Thread" silver, and "Ambassador" wineglass sit on the firestool of a commodious "Wicker-Wicker-Wicker" chaise by Michael Taylor, who also designed the skirted wicker table which Mrs. Kempner covers with an Yves Saint Laurent scarf and sets with Tiffany objects including a "Lily Pad" tray, "Honeycomb" and "Mock Orange" boxes, and a "Basket" dish.

A nineteenth-century Japanese vase holds plum blossoms beside a bronze Buddha.
"



"Drawings by William Bailey, Henri Matisse, and Larry Rivers back the setting, and a gold-leaf Art Deco screen backs the TV."

- The New Tiffany Tablesettings, John Loring & Henry Platt, 1981



Portrait, Nan Kemper, de Young Museum, Nan Kempner: American Chic



Nan Kempner dancing with Matthew Modine, ABT Spring Gala, 2003. At the time of this photo, Mrs. Kempner was 72 years old.

Nan Kempner, extraordinary hostess, philanthropist, and fashionable luminary, died in 2005 at the age of 74. Her life and legendary style was subsequently chronicled by the de Young Museum of San Francisco in 2005. Read about her here.

For more Thursday "Tablescapes" visit Between Naps on the Porch.

And a reminder: Enter the Taste, Acquiring What Money Can't Buy reader giveaway here, and the ChillinJoy Portable Insulated Wine Cooler giveaway here.

Tuesday, June 2, 2009

Forty-footer

Amy Vanderbilt's fine text, The Amy Vanderbilt Complete Book of Etiquette, revised five times since her death is one of my most utilized texts; not only when I need advice but also when I need a good laugh.

Whenever I am congratulating myself for not having capitulated to paper napkins, and some terrifying bin in which they reside on the table permanently, not to mention paper plates, this book always has a way of reeling me in: It instructs and deconstructs the Hostess so that one never gets to comfortable: The book is always there, watching me, and all the while whispering, "There is still more to be done here." The thing has obsequious gaze.

This one phrase regarding dining tables in private homes in Letitia Baldridge's second revision always gets me: "Even the table has changed. Plastic mats and polyester no-iron mats are seen everywhere. If a young hostess today were to be shown a forty-foot long white damask banquet cloth, she would probably say incredulously, 'What's that?'"


I seriously laugh for a good five minutes every time I read that phrase in the chapter entitled, Household Management in a Serventless Society (aka, from the tone of the chapter: What's to Become of Us?!).

Where they so common, ever, that hostesses looked up from their inviting desks and made a note to do something about the cloth that is roughly three building stories long? And following a regular table seating expectation for a two sided dinner setting, would have comfortably seated fifty? You know, because so many people had dining rooms that big, tables that long, or ambitious plans to invite hordes to enjoy pistou and daube with them ever so regularly?

Roughly, the room would look like this:


This is the White House State Banquet Hall, ca. 1904, as expanded sixty percent to seat 100 persons for dining in a number of seating arrangements including two long tables.

Amy (RIP), Letitia: If one had the capacity, it is indeed unlikely they were going to take to the presses themselves to see to it the wrinkles were out of the cloth. And while the text is decidedly aspirational it was indeed intended, even originally, by purchase for the masses, causing the Hostess to believe we are not the first generation to have snickered at phrases such as these. Nonetheless, on countless other points the book is indispensable so I in no way wish to discredit.

Locally, there are any number of grand homes dating from the colonial period forward, (rebuilding largely begun just after the Revolutionary War, which saw the burning of Bedford by British troops, concluded). I dare say, then, and in every period since, in a community which could have managed, a dining room of this stature was rare. Furthermore, when the places did exist many were modified to reduce the dining spaces. Everyone knows and can imagine these sort of places, why, you can tour them: The Breakers, Rosecliff.

A privately held local example, Linden Farm, erected in 1928 and at nearly 14,000 square feet, has plenty of room for everything. You can have this estate and renovate to get the length of dining room, for $28 million. So the table cloth then, will not be a problem, right?


I like to think many hostesses of many era's including my own would see a damask forty-footer, know exactly what it was, and how to conquer it (by cutting it up for drapes a la Carol Burnette as Scarlett O'Hara). Come on. This is what you get when a White House social secretary revises an etiquette text. Honestly, the 50th Anniversary Edition, revised by Nancy Tuckerman, is a mite more effective and useful, possibly than Letitia's two revisions ever were.

Even then (the original text was completed in 1951, so let's assume for argument that Amy refers to the first half of the 20th century), I certainly believe people valued realism, and surely the book would have sold more copies if it had indeed addressed the lives of good, but not Astor-esque hostesses and household managers with something other than disdain.

No word of a lie, I just Googled this and the first forty eight entries referred to plastic banquet cloths or something that comes in a roll. Indeed it seems we have slipped at least on the fabric portion of the large tablecloth. Likely, you would need to commission a damask one now or live with that hideous polyester fabrication hotels use.

While the message is derived of a distaste for what these social hall monitors deemed a failure of our civilization's hostesses to maintain taste, care, and decorum, the message is none the less valuable: Old standards are good standards for entertaining, but they are harder, and in these times, probably as in all, the roads less taken.

Wednesday, April 1, 2009

DBD 2009 - Vasi Yipsilanis and Margaret Cevasco

I think I ate in this restaurant in Taiwan. It had foie gras temmpanyaki. It looks really nice just a little expected maybe, a little been-there-done that, perhaps?

The place settings, however, were killer.



DBD 2009 - School of Visual Arts

When I had dinner at Daniel Craig's, it totally looked like this.


I'm just pulling your leg - I never have dinner.


This is the first dining room I have ever called sexy. Mark it down.

Tuesday, March 31, 2009

DBD 2009 - HP

Gorgeous, even a little spirtitually peaceful.




DBD 2009 - Razortooth Design

Seriously, can I live somewhere that these walls would fly? I am researching locations that are weatherless and breezeless so these panels can be my only walls. Chances are, that is not in the Carolina's and it surely is not here in New York today. Where have these been all my plaster-walled life?

This dining room was magical but just did not sit up nicely for its photos or close ups: Photographing vibrant colors in that dark building was a mite easier. But I swear to you on my 50th Anniversary copy of Amy Vanderbilt, this was eye catching and glamorous. I hope you suspect that from these photos.

Ghost chairs made this job hellish.

The black stuff (technical term) placed all over actually sparkled but the lights in the room were so dim they did not make anything of the embellishment. I had to get within a foot of the terrier centerpiece to note the material of the black stuff. When I did, I was disappointed it wasn't used to greater effect because it carried light and colors beautifully. It is a shame a light was not directed towards it. The room looks dark because it was. Really, really dark. With clear chairs. A tad frustrating.

The centerpiece was a terrier which looked suspiciously like Mickey, my Mom's snarky Cairn, and the black stuff is loosely made in the shape of flowers.

It had elements of genius.

DBD 2009 Tracy Reese

What can I say here? This really did nothing for me in light of some of the others.





>

Monday, March 30, 2009

DBD 2009 - NYDC 200 LEX

This installation was New York the way I normally would not think of it. One gets accustomed to the things they see in places they know well. I don't think twice before moving quickly past streetlights (on the napkins), all manner of trucks around town (on the dinner service), and graffiti (all over). But those elements contribute to our glorious city and this room so perfectly
captured all the things I miss in a day...

But here it all is, presented so that one understands this is a labor of love for cities and that even the blemishes are magnificent.

At first, I really did not get the fruit centerpieces. After I looked at the room for a while, I decided that while a million other objects could have been placed there, they do soften the scene and the colors fit in perfectly. Which is to say, not at all, because it is a vibrant free-for-all.


So, the Hostess will never own the place settings or napkins but someone less trad than I will and in the meantime, they tipped the balance of understanding for the consumer here: Everything rough and gritty about cities, brushed up, refined, and presented in such a way as to create an appreciation of the things we overlook in a day.

Right down to the graffiti'd crown moulding. Look really close, the ceiling is papered end to end in blue prints.
Completely over the top and definitely a masterpiece.

DBD 2009 - New York School of Interior Design

New Years? An engagement party? Broken glass and complete disaster? Could go either way. There were twinkling diamond-like rocks hanging from the ceiling on "invisible" string which created the effect of a diamond chandelier crossing the entire ceiling. "Diamonds" were recklessly tossed all over the table top. Against that peacock blue drape and under those lights, they were in optimum sparkle conditions. The photos do not do justice to the glow in this room.



The shattered-glass wall ties into the place settings which appear destroyed and glued back together. There was something glamorous and broken about it all at once.

DBD 2009 - Mark Blackwell

Certainly Mark Blackwell's sophisticated masculine dining parlor was luxe, beautifully executed, and completely mature. I was just in the mood for something lighter, I guess. But it was fabulous, hits of oranges and boxwood greens to finish struck perfect notes.


DBD 2009 - Kravet, the pink and green lovers

Perfect for a girls party in Palm Beach, Kravet's tribute to a girl-prep was hip and fun. I could see shoppers from Flat of the Hill and Island Outfitters loving all these familiar fabrications used in this way.
Is there anything that winks more at summer fun than a huge white picnic table? It's raining in New York today, and I am totally ready for summer and party in a tent like this one.



The table setting was crowded but pleasing in the exhibit-sense: Glittering, gold, of varied heights and textures.


Caged cupcakes: Fun. Only, the vibrant colors of the tent made me wish the cupcakes had been more vibrant as well, like those memorably featured in Lily Pulitzer's book in hot pink, lime, and golf greens.
On the whole, a really cheerful beach dream.

DBD 2009 - Jesgordon/ Properfun

Wasn't this installation just full of young exuberance? It stopped you in your tracks with bright-lights-big-city feeling and a noteworthy lack of self-consciousness. It was happy and contagious.

The young designers here are two sweet peaches, you would adore them. I could easily see this at a roof party in LA... at the top of The Standard, maybe.



Belt buckles! Given my profession, I love apparel references. One of my favorite place settings of all time involved a white ribbon attached with a large black mannish hook and bar in a room full of clubby men's references. This is equally as bright an idea: A tort belt buckle over wide grosgrain. Just fun and reminds us there is no craft that can not contribute if we think creatively.



I hope these girls do well in their endeavors. They were bright and enthusiastic. The design world could use more of them.